Ideas and Voices from MIT This Month: Leadership
September 2001
 

In This Edition

Language and Literature

Part 1: Literature and Writing

Part 2: The Medium of Language

Part 3: Language Sciences and Science Languages

Questions & Answers

Prof. Isabelle de Courtivron
Head of Foreign Languages and Literatures

Prof. Steven Pinker
Author of The Language Instinct and Words and Rules

Prof. Anita Desai
Award-winning novelist and writing instructor

Geoffrey A. Landis '80
NASA scientist and science fiction writer

Jade Wang '01
President of the MIT Science Fiction Society

Kelly Clancy '03
Prize winning short story author

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Professor Anita Desai

Anita Desai

Editor's Note: The following is an excerpt from a story about Anita Desai that will appear in the MIT News section of the June issue of Technology Review magazine.

Tucked away in a nondescript, rather bare office in building 14N off of Eastman Court, sits a professor whose skill and accomplishment in her field often go unnoticed by students-an unusual circumstance at a place like MIT where respect and admiration for
faculty intellect are hallmarks of the learning that goes on there. The professor is Anita Desai, an award-winning fiction writer who, after 9 years of teaching in MIT's Program in Writing and Humanistic Studies, is retiring this summer to devote herself to writing novels on a full-time basis.

Desai was born in 1937 and grew up in India, the daughter of a Bengali father and a German mother. She graduated from the University of Delhi with a degree in English literature and soon after embarked on a writing career of short stories, children's books and novels. In 1978, she won the National Academy of Letters Award for Fire On the Mountain. Two of her other novels, titled Clear Light of Day and In Custody, were finalists for Great Britain's literary honor, the Booker Prize, and she earned the Guardian Award for Children's Fiction for the novel, The Village By The Sea, which was published in 1982. She has taught writing at Girton College in Cambridge, England, as well as at Smith College and Mount Holyoke College in Western Massachusetts. But of all the places where she has worked with budding writers, she concedes there is something uniquely intriguing about MIT.

"The minute I stepped on to campus, I knew this was an exciting and different place to be. There is electricity in the air here. Everybody has a purpose. And the writing program attracts those students who have strayed from the straight and narrow, those who recognize that there is something more to life than a degree or a career," she says in her characteristic tone which is almost a whisper. In fact, to watch her in the classroom, you might not notice how effectively she leads a body of students in discussion. For she sits around a conference table as one of them, encouraging each writer to read his/her work out loud for comment. She then quietly interjects here and there in the lull of conversation, skillfully pointing out parts of the story that may have been overlooked.

Desai admits that it can be frustrating to teach at an institution like MIT because she knows how unlikely it is that students will give up on pursuits of science and engineering for the arts. "I once had a Chinese student who wrote quite beautifully and hardly believed in her own gifts. I couldn't dissuade her from science," smiles Desai. "Being young isn't easy. They are torn. These are amazing students who could do either or both [arts and sciences], but they are under tremendous pressure to succeed in their chosen careers."

According to Desai, she started teaching to help herself deal with the solitary life of a writer. "To be a writer, one must spend one's life at one's desk by one's self. I started teaching to have a life beyond that. Teaching on campus gives me a contact with reality. It is most rewarding to be in contact with the young. I grow older but they stay forever young," she says.

--Carly Kite

Prof. Isabelle de Courtivron
"Learning a language is learning about a culture, about how people live, function, think; it is learning about their history, their values."
more...

Prof. Steven Pinker
"The rate of vocabulary growth in one-year-olds seems to depend more on how much language they hear, whereas the point at which they start combining words into microsentences like "sweater chair" and "allgone outside" depends more on their genes."
more...

Prof. Anita Desai
"To be a writer, one must spend one's life at one's desk by one's self."
more...

Geoffrey A. Landis '80
"A lot of the fascination with Mars that went into writing Mars Crossing came from the enthusiasm about geology that I picked up from other scientists on the Mars Pathfinder mission."
more...

Jade Wang '01
"[The MIT Science Fiction Society] does its best to get a copy of every new science-fiction and fantasy book as it comes out, if not before. We also try to maintain a reasonable library for scholarship and research."
more...

Kelly Clancy '03
"I write to tell the secrets I couldn't speak aloud. Paper is brave like I could never be."
more...


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